Sometimes, the universe pauses for a moment, and you find yourself in a music video. I was standing on the Boulévard René-Lévesque, Denali's Time Away on my iPod, and I looked up to see the Cathédral Marie-Reine-du-Monde above me, saints standing on the thick stone wall with hands outstretched toward me. Hard glints of snow fell through the streetlights; spotlights rotated overhead like the blades of an enormous helicopter. I couldn't quite catch my breath.
(Later, the stoplights started blinking in time with Then I Start to Yodel (for Jesus) by Mistress Ramona. They do that here—the green lights blink before becoming yellow. That was...less good.)
For a while, I thought my walk was a mistake—in January, in Canada, at night, in a snowstorm, in a strange city with signage in a foreign language. But I found a café (which I fear might have been the Canadian version of Starbucks), where I drank a white cocoa and read Gene Wolfe's The Knight, and when I left I had the little epiphany I describe above, so I think it was a good idea. Walking back to the hotel in a roundabout way, I continued my cathedral tour with two more—St. Patrick's, its rose window glowing orange in the night, and Notre Dame, lit blue. I also saw a building of colored glass that turned the snowy sidewalk into a Candyland board, a glassed-in TV studio where two news anchors were chatting between segments, and an avenue of light-wrapped trees ending in a huge Christmas tree of yellow lights. The buildings here are beautiful, skyscrapers and older architecture both.
My coolest discovery, though, was La Maison Hantée. I saw a squat little Victorian house on a dark corner, with windows boarded up, leafless trees reaching for the moon, and things above the door. I did a double-take, but they didn't go away: there were winged Gothic demons rending each other to shreds on the roof. They were a little cheesy, on closer inspection; the chicken wire was visible in places. But that made them more scary, not less; a decrepit, unsavory haunted house is a blend of fantastic horrors and real-world ones, which blurs boundaries. I was fascinated. (It is, in actuality, a haunted dinner theater, which sounds frankly awesome. I think we would need a large group to make a reservation, though.)
Tomorrow, I explore Old Montréal with my sweetie. Should be lovely.
(Later, the stoplights started blinking in time with Then I Start to Yodel (for Jesus) by Mistress Ramona. They do that here—the green lights blink before becoming yellow. That was...less good.)
For a while, I thought my walk was a mistake—in January, in Canada, at night, in a snowstorm, in a strange city with signage in a foreign language. But I found a café (which I fear might have been the Canadian version of Starbucks), where I drank a white cocoa and read Gene Wolfe's The Knight, and when I left I had the little epiphany I describe above, so I think it was a good idea. Walking back to the hotel in a roundabout way, I continued my cathedral tour with two more—St. Patrick's, its rose window glowing orange in the night, and Notre Dame, lit blue. I also saw a building of colored glass that turned the snowy sidewalk into a Candyland board, a glassed-in TV studio where two news anchors were chatting between segments, and an avenue of light-wrapped trees ending in a huge Christmas tree of yellow lights. The buildings here are beautiful, skyscrapers and older architecture both.
My coolest discovery, though, was La Maison Hantée. I saw a squat little Victorian house on a dark corner, with windows boarded up, leafless trees reaching for the moon, and things above the door. I did a double-take, but they didn't go away: there were winged Gothic demons rending each other to shreds on the roof. They were a little cheesy, on closer inspection; the chicken wire was visible in places. But that made them more scary, not less; a decrepit, unsavory haunted house is a blend of fantastic horrors and real-world ones, which blurs boundaries. I was fascinated. (It is, in actuality, a haunted dinner theater, which sounds frankly awesome. I think we would need a large group to make a reservation, though.)
Tomorrow, I explore Old Montréal with my sweetie. Should be lovely.