jere7my: (Shadow)
The Empress Theodora (corrected perspective)

Saturday, July 4 - Ravenna

San Vitale was begun by Ostrogoths in 527, and finished twenty years later by Byzantines. It's the only major Justinian church to have survived intact, and on its walls are some of the most beautiful mosaics in the world. The elegant, wise-eyed woman looking back at you through your monitor is the Empress Theodora, who was a dancer and a courtesan before she became the wife of the most powerful man in the world. I'm constantly amazed by the character and majesty the mosaicist was able to convey with little irregular chunks of glass — stepping back, the image dissolves from cartoon to humanity. 1500 years! It's humbling.

We stayed a long time in San Vitale. It was quiet — full of tourists, but respectful ones, thoughtful ones. Part of me is still there, I think, in the color and the peace.

Cut for the art of the mosaic. )

The full San Vitale set is here. This is my last big photo post (alas!), but I will post a thing or two about hotels before I shut up for good.
jere7my: (Shadow)
Procession of 26 Martyrs in Sant'Apollinare Nuovo

Saturday, July 4 - Ravenna

[Edit: Sant'Apollinare Nuovo, pictured above, is where the traveling choir of seniors suddenly burst out with the Ave Maria — one of the most magical moments of the trip. I felt so privileged to be there. I've uploaded an mp3 of the last 45 seconds of their performance, if you'd like to listen to it while looking at the purty pictures. I don't own the rights to their performance, obviously, but I don't think they'd mind. If they do, I'll take it down.]

One of the things I like about Ravenna is its small-town approach to historical preservation. It's not really a small town — about 150,000 people live there — but it feels that way, and they seem to have a pragmatic attitude toward the treasures they steward, as though the local politics of some arts board are the only concerns they need to satisfy. Given a crumbling 16th-century fortress (the Rocca Brancaleone), they turned the interior (rather brilliantly) into a public park for watching movies and riding merry-go-rounds. Their city museum* is a maze of echoing galleries: priceless, minutely detailed ivory carvings next to a room filled with empty, dusty glass cases, then Bronze Age potsherds beside racks of medieval weapons beside a wall display of children's crayon drawings. In Sant'Apollinare Nuovo, home of some of the most stunning ancient mosaics in the world — important enough that the UN named it a World Heritage Site — they installed a light-up neon halo and cross on a statue of St. Francis Anthony, presumably because somebody thought it would be pretty (unless there was a horrible misunderstanding about the Baptistry of Neon). I think that's how Ravenna has always been, apart from the one or two moments in history when it was important — an out-of-the-way corner of the world that happened to be the capital of the western world for a few years, with all the remnants of sudden grandeur that that implies. Since then, they've just been going about their business.

This was our second of two days in Ravenna. We saw San Vitale (photos in a forthcoming post), the museum, Sant'Apollinare Nuovo, the Mausoleum of Theodoric (after a long hike along the railroad tracks), and the Rocca Brancaleone. Pictures behind the cut. Cut for magi in awesomepants! )

Here's all 60 photos, on Flickr.

* No photography allowed, alas.
jere7my: (Shadow)
Ceiling of the Arian Baptistry

Friday, July 3 - Ravenna

If you're still hanging in there through this perpetual travelogue, you might be asking yourself, "Hey, didn't they go to Ravenna, too?" Indeed we did.

In the fourth century, the Arian Controversy tore Christianity in half over theological issues like the proper date of Easter and the personhood of the Holy Spirit and, most particularly, whether Jesus was made of the same stuff as God, and thus part of a coequal Trinity, or created by God, and thus subjugate. The former view won, becoming Catholicism, and Arianism was declared a heresy, but it was touch-and-go for a while — the emperors Constantius II and Valens were Arians, as were many important bishops and other powerful people. The controversy caused more faithquakes than anything until the Protestant Reformation. People were excommunicated and exiled left and right, and it strained relations between the Eastern and Western empires.

Theodoric the Goth, who ruled Italy after the fall of Rome, was an Arian, and since he made his capital in Ravenna Ravenna is dotted with Arian churches. The Arian Baptistry is a small octagonal building, splendid with mosaics on the inside, like the ceiling mosaic pictured above: naked-Jesus being baptized by John the Baptist and a dove, with the personified River Jordan looking on in a rather pagan way, surrounded by twelve apostles bearing crowns. A third of a mile away is the Catholic baptistry (the Baptistry of Neon), a small octagonal building that is entirely different:

Ceiling mosaic in the Baptistry of Neon

As you can see, here we have naked-Jesus being baptized by John the Baptist and a dove, with the personified River Jordan looking on in a rather pagan way, surrounded by twelve apostles bearing crowns...but Jesus has a beard. Heretic, I cast thee out!

I admit I'm charmed by this affirmation of the everyday churchgoer's response to titanic struggles over heresy and orthodoxy: they live amongst each other, go to church less than half a mile away from each other, and decorate their separate baptistries in an almost identical way. [livejournal.com profile] adfamiliares has a lot to say about this sort of thing, professionally; I'm just happy to have a picture of coexistence (possibly placid, possibly fraught) to go along with my mental images of excommunicated bishops and burning books.

More pictures, as usual, under the cut. Cut for Jesus' penis! )

The whole set (72 photos) is on Flickr, including more mosaics — and we haven't even gotten to San Vitale yet!

Mosaica

Jul. 4th, 2009 10:37 pm
jere7my: (Shadow)
Greetings from the last capital of Rome. Ravenna is a much quieter town than Rome or Florence — you get the sense that the Byzantine Empire washed over it in the 5th century, depositing mosaics on all the churches like tidewrack, then things pretty much stopped happening here. (Except for Dante being exiled — and eventually buried — here. In his mausoleum hangs a lamp fueled in perpetuity by Florentine oil, sent by the city in penance for exiling him.) The mosaics are truly beautiful, though, and well worth the visit. I'll post pictures, but pictures can't do justice to the feeling of being surrounded by, wrapped in, embedded in chips of brilliant color and radiant gold, as bright today as they were 1400 years ago. Seen close, the chips of glass break up into crude cartoons and chunky Halloween masks, but as you step back they become graceful and fluid, and the mosaic faces become as expressive as painted ones. In the Basilica San Francesco, where they raised the floor several times due to flooding, you can peer through a dark hole below the altar to see the original mosaic floor. By dropping a 50 cent piece into a slot, you can illuminate it to see the goldfish swimming among the pillars.

In S. Apollinare Nuovo, a church founded by Theodoric the Goth, we were admiring the mosaics when a tour group of unprepossessing seniors, in pastel shirts and knee-length shorts, suddenly broke into choral song. It filled the church like light, all the vaulted glittering spaces suddenly resonant, the sound so big and so fitting that we thought for a moment someone had turned on a hidden sound system.

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